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Privacy Policy
Mission Statement:
Black, woman; we have been lumped and
despite the attempt to generalize, these seeming understatements of
identity have so many possibilities. The labels, black and woman independently
have numerous dimensions; their coupling has linked so many, combining
descendants of powerful nations that may have otherwise ended up at
each other's throats. The capacity of these two labels to unite generates
a power that so often goes untapped.
Whether it is a self-help book or the
latest addition to magazine publishing there seems to always be someone
willing to explain to each generation of women how to behave. The rules
of earlier centuries encouraged impeccable manners and appearance. Then
the liberation movement encouraged women to take their place as human
beings but recently it seems it has all been reduced to lessons in mediocrity.
Based
in New York, The Coup magazine is two tiered; working through the web
and with a hard-copy quarterly publication. Sophisticated yet simple
we cover an expansive audience while maintaining a finely tuned ear
to what's really important in the world of black women. The Coup reader
not only wants to be informed about what's going on in the world but
also wants to be connected to the reflections of her sisters.
The Coup magazine was founded on the
premise of unification; determined to empower young women of the African
Diaspora through political awareness, social consciousness and a sincere
willingness to defeat the divisions that have been set before us. Exploring
literary essays, arts, entertainment and business for and by Black Women
of the world (African, African-American, Black American, Black European,
Black Asian, Black Australian, Black Indian and West Indian women) we
wish to provide a source of knowledge that will serve as a tool in making
today's woman of color stronger, one hundred years closer to her history,
her fruitions, her sisters and herself.
Founders
Wayetu Moore - Editor In Chief
Advisers
Asha Bandele
Alexis Pauline Gumbs
Yanick Rice-Lamb
Mwansa Mandela
Editorial Department
Brittany Gail Thomas - Health/Nutrition Editor
B. Yvette Minix - Education Editor
Wendi Muse - Editor-At-Large
Nana-Adwoa Ofori - Lifestyle/Entertainment
Editor
Jessica McCurdy Crooks -
Carribean Region Editor
Analyn Revilla - Business/Technology
Editor
Gynelle Findlay - Politics
Editor
America Martin - Director
of Bilingual Content
Angel Noel Carvalho - Spanish
Language Editor
Praveen Sequeira - Mumbai Correspondent
Adisa Vera Beatty - Blogger/Guest
Blogger
Tremaya Bradley Reynolds - Blogger/Guest
Blogger
Creative Department
Josette Youssef - Photo Editor
Chanel Kennebrew - Design Consultant
Anastasia Aizman - Contributing
Designer
Derval Fairweather - Contributing
Designer
Daniel O'Brien - Lead Illustrator
The Coup Inc. publishes “The Coup”
Magazine. The magazine, a literary publication, was started in
2005 as a medium for discourse between women of the African Diaspora.
Our strategy is based on the exploration
of globalization. While we have an identifiable market, our goal is
to educate ALL people about a smaller and underrepresented group of
people.
We publish under the Democratic principle
and the culture of free speech and mind.
The Coup staff represents more than
eight countries and ten nationalities. We hire and publish on
the basis of education and social awareness, and are intolerant of hate,
prejudice, and any form of racism or supremacy. It is important
to us that we offer a range of knowledge and experience to our readers
and audience, and imperative that our message is one of love.
BIOGRAPHIES
Wayetu Moore
Editor-In-Chief
"The people must know before they
can act, and there is no educator to compare
with the press.” - Ida B. Wells
First, it is important that we release
ourselves of the social obligation of partiality towards one another;
an obligation that spurs an over-zealous and impossible goal of total
unification, and a task that only takes away from the authenticity of
our relationships. Our obligation is to humanity. We are human beings
first. Next, we are women. And then, we are women of color. Although
the precedent is where Ashleigh and I chose to stop, the hierarchy of
social obligation, or whatever it is that you wish to call it goes on
and on. That is the point. We chose the fact that we are women of color
as a starting point for conversation, anecdote, and commentary. We want
to show that our layers are countless, our backgrounds are diverse,
and our possibilities are infinite. We want to immortalize our stories
through the written word, and most importantly, through the progress
of our minds.
The first definition of the word
coup in Webster's dictionary is: a brilliant sudden action or plan.
Simply put, our “coup” is to share the lives and struggles of our
peers while promoting intellectual thought and (ideally,) unification
within our own community(s). We quote the genius of Mandela and Selassie,
hear the echoes of Ellison and Dunbar, and breathe the legacies of King
and X. But seldom do we celebrate and learn the lives of black women
around the world for reasons other than political correctness and the
avoidance of subversion. Because we lack the knowledge of the capable
intellectual, spiritual, and politically influential black women of
the past and present, there is an absence of pride within black women;
an absence that leads to a very common and devastating self-hatred.
This hatred, one that has existed among us for centuries, subsequently
fuels criticism with the intent to offend, prejudice, fear, ignorance,
resentment, suspicion, scorn, aggression, violence, and finally disassociation.
It is only therefore, in knowing one another, in knowing ourselves,
that we can make a significant step towards improving the state of people
of color around the world.
“The people must know before they
can act”. And we are our only hope. It is time to take the world
off of Atlas' back. Our coup is to face
each other and march. It is time to speak. Time to tell.
Let's go.
Ashleigh
Rae Staton
Creative Director
coup: n. pl. coups (kz)
: A brilliantly executed stratagem; a triumph.
I love this project already. Yes, it is a project for me, not simply
a business venture, The Coup is meant to be a forum. It is an extension
of my interests and concerns, and I hope it becomes that for you too.
It’s an attempt to put something into the world that I think is needed,
to encourage discourse and promote understanding.
You probably won’t agree with everything you read here. I probably
won’t either and that, to me, is exactly the point. There are so many
questions, like: what are the correlations between culture and socio-political
commitment? What are the politics of representation?
The Coup is meant to be a bridge between nations, between states, between
consciences. So use it for the tool it is; write an essay on your understanding
or misunderstanding of a current political situation, write about your
thoughts on culture or just write us a letter about your day. All I
ask, is that you remain aware of he correlations between the large and
the small, between the events of your day and the events in the lives
of your sisters around the world.
It is often the disenfranchised that lead the masses in the spirit of
revolution. Whether that revolution is social, combative or artistic,
it is the work of those who have been continually left out of the consideration
of the mainstream who are able to focus on the right criticisms. I know
we have a lot to say.
There’s strength in our numbers. There’s a strength in out shared
history and there is even more strength to be found in our experiences
once again being joined. So, let’s reclaim our voices, each other
and ourselves.
We are bringing love in our strength;
a love mixed with the fire that results when one tires of waiting. We
are no longer asking permission and this will be our coup.
Wendi Muse
Editor-at-Large
Wendi Muse is originally from Memphis,
Tennessee, but came to New York to attend NYU. While an undergrad, she
was a member of the MLK Scholars and attended the Gallatin School, where
she created a concentration entitled "legal and cultural studies
of oppressed and marginalized peoples" with a special focus on
inter-ethnic/racial interaction and coalition building. Though she presently
works at a law firm by day and interns for an independent fashion designer,
she plans to attend graduate school for Brazilian Studies and Portuguese
and pursue a career in teaching and research.
Nana-Adwoa
Ofori
Lifestyle/Entertainment Editor
Imagination, design, and artistic expression
have been a consistent part of Nana-Adwoa Ofori, whose parents both
pursued the arts in their native homeland of Ghana West Africa. In 2002
she graduated with honors from Smith College. In 2004, she enrolled
Parsons School of Design in 2004 and majored in Fashion Design. In addition
to a fashion degree from Parsons, she went on to design women's wear
for Polo Ralph Lauren from 2003-2005. In 2005 she left PRL to branch
out her design experience to work with some of the best companies in
NYC. BANANA REPUBLIC, GAP, TOMMY HILFIGER, ENYCE, and Kati Stern for
VENEXIANA are just a few of the design companies that have contracted
her skills and resources on various projects ranging from conception
to production. In 2006 Nana-Adwoa branched out of fashion to embrace
her written communication skills and joined the freelance team at the
NY POST. In addition to the NY POST, she continues to write for NYC
publications Courier Life, The Brooklyn Rail, and The Coup Magazine.
She resides in Brooklyn, NY.
Jessica
McCurdy Crooks
Caribbean Region Editor
Analyn Revilla
Business/Technology Editor
Gynelle
Findlay
Politics Editor
Praveen
Sequeira
Mumbai Correspondent
Praveen Sequeira was born in India and
has completed undergraduate studies at St. Xaviers College, Mumbai,
India; and has an MBA in Hospitality and Tourism from the Institute
Cezar Ritz, Switzerland.
America
Martin
Director of Bilingual Content
America Martin graduated from the University
of California, San Diego, in 2001 with a Bachelor’s Degree in World
Literature. Subsequently, she was accepted to Graduate School at the
University of Notre Dame to pursue a Master’s Degree in Spanish Literature
and Linguistics. Ms. Martin spent her childhood in south Mexico,
where she became fascinated by the rich oral tradition of this country’s
indigenous tribes and even had the opportunity to dwell amongst the
natives for a period of time. Her work has been published in Foto
Zoom magazine in Mexico, Firstdraft magazine and the Acorn
Review in the United States, and Warsaw Insider magazine
in Poland. She is an expat in Poland, where she is writing her fourth
novel.
Angel Noel
Carvalho
Spanish Language Editor
Adisa Vera
Beatty
Blogger/Guest Blogger
Tremaya
Bradley-Reynolds
Blogger/Guest Blogger
Josette
Youssef
Photo Editor
Anastasia
Aizman
Graphic Design Intern
Asha Bandele
Advisor
Asha Bandele began her work as an organizer
while attending Hunter College. THere, she fought to maintain a policy
of open admissions and joined the Malcolm X Grassroots Movement, primarily
working to raise awareness about political prisoners in the United States.
As her work as an
organizer evolved, Ms. bandele decided that she could
make her greatest contribuiton to the fight for human rights through
her writing. She has since published three books: Absence in the Palms
of My Hands (Harlem River Press, 1996), a collection of poems that speaks
to social, political, and personal injustices; The Prisoner's Wife (Scribner,
1999) an award-winning memoir about her marriage to an incarcerated
man; and Daughter (Scribner,2003), a novel about the impact of police
brutality on one family. From 2000-2004, she served as Features Editor
and as a writer for Essence Magazine, where she edited numerous pieces
on the criminal justice system and interviewed a rane of people including
Kofi Annan, Kadiatou Diallo, Harry Belafonte and Winnie Madikizela-Mandela.
Ms. Bandele holds a B.A. from the New School for Social Research and
an M.F.A. from Bennington College. Born in the Bronx, she now lives
in Brooklyn, New York, with her daughter. During her Revson year, she
completed another volume of poems, The Subtle Art of Breathing (Moore
Black Press, 2005) and made a career shift, accepting the position as
Deputy Director of Policy for the Drug Policy Alliance.
Alexis
Pauline Gumbs
Advisor
Alexis Pauline Gumbs is a queer, black, domesticated graffiti artist,
not-so-coincidentally working on a PhD in Gender in the African Diaspora
in the English Department at Duke University. She has been using words
and color to interrupt landscapes of oppression since age 14. Her metaphorical
bombings include a wide set of art exhibits, live performances, t-shirt
designs, coloring books, games, youth activism workbooks, workshops
and volumes of poetry published, fashioned and curated through her not-for-profit
creationspace brokenbeautifulpress. Her most important exhibitions
are collaborative and take place through countless youth programs, workshops,
and conference presentations. Alexis’s ultimate goal is to write on
the souls of her people while provoking them to write all over her future.
As a high school student she served on the editorial board of Atlanta,
Georgia’s VOX Teen Newspaper, a publication by and for teens, that
reached 80,000 readers. As a college student Alexis organized fellow
students as a staff-person at the Rape Crisis Anti-Violence Support
Center, chair of the United Student of Color Council, Vice President
of the Black Organization of Soul Sisters and co-coordinator of a student-run
office that she helped design called the Social Justice Empowerment
Initiative. For the past eight years Alexis has been facilitating youth
leadership trainings all over the world for young people (ages 7-25)
of African descent through the International Black Youth Summit, and
now serves as General Coordinator of the Summit. On the national level,
Alexis serves on the Advocates for Youth, National Young Women of Color
Leadership Council, a body convened to respond to the disparate rates
of HIV/AIDS among young women of color in the United States. Locally,
in Durham, North Carolina she coordinates a vision based creative arts
program for gang-involved young people who have been long-term suspended
from the Durham Public School system called “Vision in Action” and
a public arts program for queer, questioning and allied teens of color
called BAM! She is also on a team convened by SpiritHouse, a local community
organization, to design an intergenerational intervention into the outrageous
rates of HIV among black women in our city. Tag. That’s it.
Feel free to tag Alexis back at
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Yanick
Rice-Lamb
Advisor
Yanick Rice-Lamb is currently teaching
courses in newspaper journalism, magazine publishing and new media at
Howard University. Her research interests include African-Amerian issues
and readership patterns. Ms. Rice-Lamb was previously editor-in-chief
of Heart & Soul and BET Weekend magazines and has
also worked at The New York Times, The Atlanta Constitution,
The Toledo Blade, Child and Essence.
Mwansa Mandela
Advisor
After graduating from University of
Kansas in 1982 with a Master's degree in Health Education and Counseling,
Mwansa Mandela worked at the University of Wisconsin-Madison, The University
of Utah-Salt Lake, Utah State University-Logan, and the University of
Kansas-Lawrence. Mandela also taught Psychology and Theater at the University
of Asmara in Ethiopia, during a time when the country was a war zone.
She then counseled women and children of war, and became active in community
and anti-war activism. She currently belongs to an organization called
SisterNet, that for the past 10 years has provided health conference,
seminars and workshops for black women and their families living in
Champaign-Urbana and/or surrounding communities (Rantoul, St.Joseph,
Monticello, Chicago, etc). The program focuses on the educational, psychological, economic, political, spiritual and physical health of Black people in general, and black women and their families in particular.
Robtel Neajai
Pailey
Advisor
After traveling throughout
Africa and studying abroad in Egypt, Ghana, Italy, South Africa, and
Switzerland, Robtel Neajai Pailey remains passionate about activism
and writing as forms of personal and social transformation. A published
writer and activist, she has appeared in Africa Today, Red Pepper
Magazine, Pambazuka News, The Washington Informer Newspaper, Clamor
Magazine, Port of Harlem Magazine, allafrica.com,
Global Woman Magazine, The Liberian Analyst, Black Star News, Sea Breeze
Journal of Contemporary Liberian Writings, Mano Vision Magazine,
and the July 2007 publication of From the Slave Trade to’ Free’
Trade: How Trade Undermines Justice and Democracy in Africa. Pailey
is a native of Monrovia, Liberia and holds a Masters degree in African
Studies from the University of Oxford, and undergraduate degrees in
African Studies/English Literature from Howard University.
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